Town guide / Cheshire market towns
Tridarn and Deuddarn cupboards for Nantwich houses
After a great fire destroyed much of Nantwich in 1583, the town was rebuilt in timber, and many of those black-and-white buildings still stand. Running west from the centre is Welsh Row, named for the old road towards Wales.
i.
The houses
Welsh Row itself mixes timber-framed and Georgian houses, and beyond the centre are Victorian terraces and newer homes. In the oldest buildings, ceilings can be low, beams cross rooms at awkward heights and floors undulate; in Georgian houses, rooms are taller and squarer. A large Welsh press cupboard behaves very differently in each, so the house decides as much as the cupboard does.
ii.
Tridarn in that setting
A Tridarn, from tri and darn, is a three-stage press cupboard, typically a cupboard base, a middle cupboard stage and an open top tier. A Deuddarn has two stages. Both are tall, and a Tridarn especially can be too high for a beamed room, so measure to the lowest beam where it would stand, not just the ceiling. Ask Sara for the height of each stage and whether they separate.
iii.
Buying from Caernarfon
Life: Full Colour has no shop in Nantwich; it is in Caernarfon, reached via Chester and the A55, and its pieces are sourced from Wales.
Buying works the same way from anywhere: find a piece, ask Sara about it by the enquiry form or on 01286 400155, and buy through Creative Caernarfon.
Visiting and delivery
Life: Full Colour is based at 9 Segontium Terrace, Caernarfon LL55 2PN. Ask Sara whether delivery or viewing is possible for a particular piece.
iv.
Questions for a Nantwich buyer
Both are Welsh press cupboards. A Deuddarn has two stages, usually a cupboard base with a cupboard section above. A Tridarn adds a third, typically an open top tier, often under a canopy. Regional details and dating vary, and scholarly opinion is not settled on every point, so ask Sara about the particular piece.
It may not. Tridarns are tall pieces, and the beams in timber-framed buildings can sit well below the ceiling. Measure from the floor to the underside of the lowest beam where the cupboard would stand, then ask Sara for the total height and the height of each stage before going further.
Many press cupboards were made in sections that lift apart, which helps on narrow stairs and through low doorways, but construction varies from piece to piece. Ask Sara whether the particular cupboard separates, and for the dimensions of its largest section, before planning how it would come into the house.
The Tridarn in particular is closely associated with North Wales, and Sara sources her pieces from Wales. You can ask her what is known about a particular cupboard and its history. Enquire on lifefullcolour.uk or on 01286 400155; purchases complete through Creative Caernarfon.
Not on its own. Dates and initials can be original, but they can also be added later, so look at whether the carving is as worn and dark as the timber around it. Ask Sara what she knows about whether a carved date is thought to be original.
Check that the top tier matches the rest in timber, colour and wear, and that the turned columns look as if they belong with the stages below. Fresh-looking joints or mismatched turning can mean a later addition. This matters in a beamed room where height is already tight.
They are not unusual on old cupboards, since doors take the most handling. Look for panels that differ in colour, grain or thickness from their neighbours, and for frames with fresh joints. A replaced door is not a fault, but it should be known.
Turned parts are exposed and easy to knock, so check for chips, splits and glued breaks. A missing drop, or one that looks cleaner than the others, may be a replacement. Gentle wear on turned parts is normal and expected.
The base stage is the heaviest and sits closest to the floor, so it collects knocks, scrubbing and damp. Some wear and a few repairs at floor level are normal. Watch for soft, crumbly timber or fresh patching at the foot, which needs a closer look.
Check that each door swings without dragging and that the hinges sit firmly in the timber. Dark, aged iron with soft edges suggests age, while very bright or machine-neat hinges may be newer. Replacement hinges are common and should simply be noted.
Often not. Panels sit loosely in their frames so the timber can move, which can give a small rattle without any damage. A panel that is cracked, bulging or pushed out of its frame is a different matter and worth examining.
